The serpentine journey of “Moneyball” from bookstores to the big screen is given perhaps its most detailed portrayal yet in this piece by writer and Dodger Thoughts amigo Bennett Cohen for San Francisco magazine.
… Starting in 2004, the evolution of the screenplay proceeded in typical Hollywood fashion: One writer after another was brought in to either polish or rewrite it entirely. In the movie business, writers tend to be treated the way the Pony Express treated horses: Ride them until they drop, and then get another, who might make the movie funnier, sexier, more exciting, or just plain better. It’s not clear how many writers or drafts Moneyball had, but four writers, including three of Hollywood’s elite, shaped the project more than any others.
I’ve read one version by each of them, versions I ferreted out online, where some screenplays meant to be confidential end up as PDFs. (Leaking scripts is common in Hollywood, but none of these was slipped to me.) Honestly, I’ve yet to read one that was bad. They’re not even wildly different from one another. But the changes from one to the next make for a fascinating case study of how Hollywood deals with true-life material and will have particular meaning to Bay Area folks, who know this baseball history and have a stake in seeing it represented accurately. Could Hollywood do justice to Billy Beane’s complicated personality and the reality of what has happened to the A’s since 2002, the time of the triumphant story told in the book? …
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